POSSUM PRESS and ULTRAIST STUDIOS: table A12
Looking forward to seeing you there!
Again, the pencils were done on the train into work. I made up a new panel that wasn't thumbnailed as I was pencilling to fill some space. (the middle right panel). I find it hard to plan everything out in the thumbnail stage. It is more of a jumping off point for me (just getting something down to have a visual start). Once I start pencilling in the actual page, I get a much better feel for what I can and can't fit into a page. I can feel if the panels are flowing or reading much better.
Inked and ready for tones.
The final page, as it appears in the comic. Tones done in photoshop.
2: I do the rough pencils straight onto Peterboro illustration board (No. 27). I like the board, because I can keep them in my backpack to work on the train, and they can take a lot more abuse than paper. They also take the ink very well. I don't have to worry about them getting wrinkled and they are stiff enough to just pull out and start drawing. I don't need to carry around something hard to draw on. I got into a good rhythm of doing the thumbnails and penciling on the train, to and from work. When you have kids, and a full time job, you have to use every spare minute of the day to get things done. 50 minutes to work and 50 minutes home with no distractions is priceless. I keep the pencils pretty loose. My main goal is to get all of the thinking done at this stage, but because I am inking as well, I don't have to worry about someone not understanding what I put down.
3: Next, I ink right over top of the pencils, and erase them after the inking is done. Before inking I photocopy the pencils, just in case I really mess up. Because I'm not trying to get an overly slick, clean look, it gives me a lot more room to be looser in the pencilling stage. The inking is harder to find time to get it completed, because I can't do it on the train. I need a bit more room, and the train is too bumpy. I inked this comic with a Rotring art pen, with refillable ink cartriges. I chose these pens, because you can take them anywhere, and you don't have to dip them. They also have a round nib, so they handle circles and curves much easier than the hunt nibs that I tried. I also do all of the dialogue by hand. When it's done well (which I am still working on), I think it has a lot more personality than the computer fonts.
4: Lastly, I scan the inked page into Photoshop, and do the grey tones and dots on the computer. It's quite a lot of work to get 1 page of comic finished, but I really do enjoy it. I don't know how many times I cursed myself for making my first comic 72 pages though! Anyways, there you have it. I hope you get a chance to read the Possum, and enjoy it. I dropped some comics off at the Silver Snail in Toronto, so they should have some to buy, or you can get them from me on my website, or maybe I'll see you at the Comic Expo Sep 1-3!






